forked from PGR/ascnet
15 KiB
15 KiB
1 | Id | ActionId | NextActionId | Type | IsBlock | IsEnd | BeginAnim | EndAnim | BeginDelay | EndDelay | Params[1] | Params[2] | Params[3] | Params[4] | Params[5] | Params[6] | Params[7] | Params[8] | Params[9] | Params[10] | Params[11] | Params[12] | Params[13] | Params[14] | Params[15] | Params[16] | Params[17] | Params[18] | Params[19] | Params[20] | Params[21] | Params[22] | Params[23] | Params[24] | Params[25] |
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2 | 1 | 1 | 101 | AniZhuanchangEnd | Assets/Product/Texture/Image/BgStory/Bgstory327.png | ||||||||||||||||||||||||||||||
3 | 2 | 2 | 401 | 1 | 36 | ||||||||||||||||||||||||||||||
4 | 3 | 3 | 301 | DialogEnable | —Two kilometers away from the conservation area 001 rebuild. | ||||||||||||||||||||||||||||||
5 | 4 | 4 | 301 | A hole punctures the clouds at the edge of the dull, gray sky, allowing the soft glow of the sun to go through and cast a light on a towering building. | |||||||||||||||||||||||||||||||
6 | 5 | 5 | 201 | 1 | 500486 | ||||||||||||||||||||||||||||||
7 | 6 | 6 | 401 | 2 | 215 | ||||||||||||||||||||||||||||||
8 | 7 | 7 | 301 | 1 | The wind blows past the buildings, gently bashing against the lady's clothes. | ||||||||||||||||||||||||||||||
9 | 8 | 8 | 301 | She stands in the gap of a broken railing at the edge of a balcony, where the birds of the city claim their domains. | |||||||||||||||||||||||||||||||
10 | 9 | 9 | 301 | Underneath an eye-catching, old-fashioned floppy hat is a pair of golden pupils staring into the distance. | |||||||||||||||||||||||||||||||
11 | 10 | 10 | 301 | In theory, she can stand there until the reinforcing bars decay and break as long as the parts that maintain her balance remain functional. | |||||||||||||||||||||||||||||||
12 | 11 | 11 | 301 | The slender figure built with an amalgamation of metal alloys is more powerful than the strongest body made with flesh and blood. | |||||||||||||||||||||||||||||||
13 | 12 | 12 | 401 | 1 | 50 | ||||||||||||||||||||||||||||||
14 | 13 | 13 | 301 | But why is she standing there? | |||||||||||||||||||||||||||||||
15 | 14 | 14 | 301 | However you view it, she still looks like a pigeon that is alone and helpless, lost in an intense debate of whether to fall. | |||||||||||||||||||||||||||||||
16 | 15 | 15 | 301 | Leaving her be does not seem like a good idea, but recalling your last encounter, you figure you should be more cautious in case she thinks you are hostile again. | |||||||||||||||||||||||||||||||
17 | 16 | 16 | 301 | You open your arms and position them visibly before you, approaching the lady carefully. | |||||||||||||||||||||||||||||||
18 | 17 | 17 | 301 | Then she sees you, her eyes clear as a peaceful pond like before. | |||||||||||||||||||||||||||||||
19 | 18 | 18 | 401 | 1 | 36 | ||||||||||||||||||||||||||||||
20 | 20 | 20 | 302 | ... | 21 | (I worried too much...) | 21 | ||||||||||||||||||||||||||||
21 | 21 | 21 | 301 | Haicma | Since some of the buildings are blocking the view, I've calculated that this is the best location to do so. | 1 | |||||||||||||||||||||||||||||
22 | 22 | 22 | 401 | 1 | 205 | ||||||||||||||||||||||||||||||
23 | 23 | 23 | 301 | Haicma | Do you have any suggestions? | 1 | |||||||||||||||||||||||||||||
24 | 24 | 24 | 301 | ... | |||||||||||||||||||||||||||||||
25 | 25 | 25 | 301 | You think back. You are here on this balcony because you noticed the strayed Construct after you dodged a falling object. | |||||||||||||||||||||||||||||||
26 | 26 | 26 | 301 | And you almost became the first recorded commandant to be heavily wounded by a fallen railing. | |||||||||||||||||||||||||||||||
27 | 27 | 27 | 302 | (Express all your queries) | 28 | ||||||||||||||||||||||||||||||
28 | 28 | 28 | 301 | Haicma | ...I was sent here to scout the area. Currently, I'm on my maintenance break. | 1 | |||||||||||||||||||||||||||||
29 | 29 | 29 | 301 | Haicma | About the metal railing— | 1 | |||||||||||||||||||||||||||||
30 | 31 | 31 | 301 | She says it casually as if all she has done was putting a book away as she holds down her hair gently to keep the wind from blowing it back. | |||||||||||||||||||||||||||||||
31 | 32 | 32 | 302 | There's something I want to know personally... | 33 | ||||||||||||||||||||||||||||||
32 | 33 | 33 | 302 | Why not a hilltop if you just want some fresh air? | 34 | ||||||||||||||||||||||||||||||
33 | 34 | 34 | 301 | Haicma | According to the diaries, getting fresh air on the balcony can relieve stress. | 1 | |||||||||||||||||||||||||||||
34 | 35 | 35 | 302 | So the balcony is also a factor... And you're stressed? | 36 | ||||||||||||||||||||||||||||||
35 | 36 | 36 | 301 | Haicma | Stressed about the diaries. | 1 | |||||||||||||||||||||||||||||
36 | 37 | 37 | 301 | She holds up a bundle of neatly strapped notebooks. | |||||||||||||||||||||||||||||||
37 | 38 | 38 | 301 | Haicma | This is the most I can collect in a day, and, presumably, they are still not enough. | 1 | |||||||||||||||||||||||||||||
38 | 39 | 39 | 302 | What do you mean? | 40 | ||||||||||||||||||||||||||||||
39 | 40 | 40 | 301 | Haicma | Instead of these incomplete journals, I require more comprehensive records. | 1 | |||||||||||||||||||||||||||||
40 | 41 | 41 | 301 | More comprehensive? | |||||||||||||||||||||||||||||||
41 | 42 | 42 | 301 | Haicma | A diary should contain everything its author does in one solar day. | 1 | |||||||||||||||||||||||||||||
42 | 43 | 43 | 301 | Your spider-sense is tingling. | |||||||||||||||||||||||||||||||
43 | 44 | 44 | 301 | Haicma | For example... records on activities, records on thoughts, records on visuals, records on audio, records on smell... | 1 | |||||||||||||||||||||||||||||
44 | 45 | 45 | 302 | Wait a sec... | 46 | ||||||||||||||||||||||||||||||
45 | 46 | 46 | 301 | Haicma | Records on touch, records on simulated emotions, records on frame status... | 1 | |||||||||||||||||||||||||||||
46 | 47 | 47 | 302 | Hold on. | 48 | ||||||||||||||||||||||||||||||
47 | 48 | 48 | 301 | Haicma | Records on combat, records on weapon maintenance, records on injuries... | 1 | |||||||||||||||||||||||||||||
48 | 49 | 49 | 301 | The girl before you is speaking non-stop at incredible speed. It is even wilder than that guy from Babylonia who fudges his report summary. | |||||||||||||||||||||||||||||||
49 | 50 | 50 | 301 | Isn't it great that we don't have to breathe? How sick it is to say everything in one go?—A certain Construct | |||||||||||||||||||||||||||||||
50 | 51 | 51 | 301 | But if you do not stop her right here, her M.I.N.D. will deviate. | |||||||||||||||||||||||||||||||
51 | 52 | 52 | 302 | Hold on! | 53 | ||||||||||||||||||||||||||||||
52 | 53 | 53 | 301 | Haicma | ... | 1 | |||||||||||||||||||||||||||||
53 | 54 | 54 | 301 | Haicma | Was there something wrong with the sequence? Or did I forget something? | 1 | |||||||||||||||||||||||||||||
54 | 55 | 55 | 302 | You only need to journal the important things. | 56 | ||||||||||||||||||||||||||||||
55 | 56 | 56 | 301 | Haicma | Important things? | 1 | |||||||||||||||||||||||||||||
56 | 57 | 57 | 301 | Haicma | I believe the data sets I mentioned are highly prioritized. | 1 | |||||||||||||||||||||||||||||
57 | 58 | 58 | 302 | And above them? | 59 | ||||||||||||||||||||||||||||||
58 | 59 | 59 | 301 | Haicma | ...Please clarify. What is more important than data about yourself? | 1 | |||||||||||||||||||||||||||||
59 | 60 | 60 | 302 | Let's say there's something before you. | 61 | ||||||||||||||||||||||||||||||
60 | 61 | 61 | 302 | Something that can make you forget your data for a while. | 62 | ||||||||||||||||||||||||||||||
61 | 62 | 62 | 302 | That's what you put down in a diary. | 63 | ||||||||||||||||||||||||||||||
62 | 63 | 63 | 204 | 1 | |||||||||||||||||||||||||||||||
63 | 64 | 64 | 301 | Haicma | ... | 1 | |||||||||||||||||||||||||||||
64 | 65 | 65 | 302 | Look. You don't see health data in that diary, right? | 66 | ||||||||||||||||||||||||||||||
65 | 66 | 66 | 301 | Haicma | October 21st. Took some meds today for my upset stomach... | 1 | |||||||||||||||||||||||||||||
66 | 67 | 67 | 301 | Haicma | Error report and maintenance report. | 1 | |||||||||||||||||||||||||||||
67 | 68 | 68 | 302 | ... | 69 | ||||||||||||||||||||||||||||||
68 | 69 | 69 | 302 | But were you drawn to that or the other content? | 70 | ||||||||||||||||||||||||||||||
69 | 70 | 70 | 401 | 1 | 208 | ||||||||||||||||||||||||||||||
70 | 71 | 71 | 301 | She falls silent. | 1 | ||||||||||||||||||||||||||||||
71 | 72 | 72 | 301 | It seems that she can still understand, albeit in a less straightforward way. If words are the problem... | |||||||||||||||||||||||||||||||
72 | 73 | 73 | 302 | What about painting? | 74 | ||||||||||||||||||||||||||||||
73 | 74 | 74 | 204 | 1 | 7 | ||||||||||||||||||||||||||||||
74 | 75 | 75 | 301 | Haicma | Painting? | 1 | |||||||||||||||||||||||||||||
75 | 76 | 76 | 302 | Pictures are more direct than words. | 77 | ||||||||||||||||||||||||||||||
76 | 77 | 77 | 302 | Paint one picture every day about the most important thing you've seen that day. | 78 | ||||||||||||||||||||||||||||||
77 | 78 | 78 | 301 | Haicma | Just one? | 1 | |||||||||||||||||||||||||||||
78 | 79 | 79 | 204 | 1 | |||||||||||||||||||||||||||||||
79 | 80 | 80 | 301 | Haicma | I see. To eliminate the chance that I record everything onto my paintings... | 1 | |||||||||||||||||||||||||||||
80 | 81 | 81 | 301 | Haicma | The viability of this experiment is estimated to be high. Despite having recorded all visual data in my internal memory drive, I believe this external recording is the closest approximation to being human. | 1 | |||||||||||||||||||||||||||||
81 | 82 | 82 | 301 | A 24-hour footage record? You cannot believe they have installed this function for the Constructs in conservation areas... | |||||||||||||||||||||||||||||||
82 | 83 | 83 | 301 | Still, she is not very guarded for a Construct that acts alone. | |||||||||||||||||||||||||||||||
83 | 84 | 84 | 302 | Aren't you worried that I might be tricking you? | 85 | ||||||||||||||||||||||||||||||
84 | 85 | 85 | 301 | Haicma | Given that your heart rate has not fluctuated, the possibility of you lying to me is low. | 1 | |||||||||||||||||||||||||||||
85 | 86 | 86 | 301 | Haicma | And your suggestion is indeed viable. It doesn't matter if it was a lie. | 1 | |||||||||||||||||||||||||||||
86 | 87 | 87 | 302 | You should still be more careful. | 88 | ||||||||||||||||||||||||||||||
87 | 88 | 88 | 204 | 1 | 1 | ||||||||||||||||||||||||||||||
88 | 89 | 89 | 401 | 1 | 205 | ||||||||||||||||||||||||||||||
89 | 90 | 90 | 301 | Haicma | That's not necessary. From the data I've collected, you pose no threat. | 1 | |||||||||||||||||||||||||||||
90 | 91 | 91 | 301 | Looking her in the eyes, you immediately remember the day you met and how quickly she subdued you. | |||||||||||||||||||||||||||||||
91 | 92 | 92 | 301 | Maybe it is the light, but you seem to notice a slight change in her tranquil expression. | |||||||||||||||||||||||||||||||
92 | 93 | 93 | 302 | ... | 96 | You're smiling, aren't you? | 94 | ||||||||||||||||||||||||||||
93 | 94 | 94 | 204 | 1 | |||||||||||||||||||||||||||||||
94 | 95 | 95 | 301 | Haicma | Smiling... Are you recommending I smile right now? | 1 | |||||||||||||||||||||||||||||
95 | 96 | 96 | 204 | 1 | |||||||||||||||||||||||||||||||
96 | 97 | 97 | 401 | 1 | 208 | ||||||||||||||||||||||||||||||
97 | 98 | 98 | 301 | ...Never mind. Now is not the time to dwell on it. | |||||||||||||||||||||||||||||||
98 | 99 | 99 | 301 | You should return to your mission, now that you have confirmed her safety. | |||||||||||||||||||||||||||||||
99 | 100 | 100 | 301 | After all, the airdrops have begun. The conservation area nearby needs you to bring back enough supplies. | |||||||||||||||||||||||||||||||
100 | 101 | 101 | 301 | Haicma | Are you leaving? | 1 | |||||||||||||||||||||||||||||
101 | 102 | 102 | 302 | Yeah. Let's save it for next time if there's something else. | 103 | ||||||||||||||||||||||||||||||
102 | 103 | 103 | 301 | Haicma | Next time? The chances of us meeting again have decreased from 1.4% to 0.12%. This possibility is negligible. | 1 | |||||||||||||||||||||||||||||
103 | 104 | 104 | 301 | Haicma | If there's something else you want to say, I recommend you say it now. | 1 | |||||||||||||||||||||||||||||
104 | 105 | 105 | 301 | Why does her description unnerve you...? | |||||||||||||||||||||||||||||||
105 | 106 | 106 | 302 | Can you tell me your name? | 107 | ||||||||||||||||||||||||||||||
106 | 107 | 107 | 301 | Haicma | Haicma. | 1 | |||||||||||||||||||||||||||||
107 | 108 | 108 | 301 | Haicma... You repeat the name, and you are pretty sure it is not on any deployment list you have seen. | |||||||||||||||||||||||||||||||
108 | 109 | 109 | 301 | You figure the higher-ups must have been pushing for more Constructs so that they can save the starving conservation areas from despair. | |||||||||||||||||||||||||||||||
109 | 110 | 110 | 302 | You don't believe in miracles, do you, Haicma? | 111 | ||||||||||||||||||||||||||||||
110 | 111 | 111 | 301 | Haicma | Miracles? The occurrences of impossible odds? | 1 | |||||||||||||||||||||||||||||
111 | 112 | 112 | 301 | Perhaps it is just a spur of the moment, or perhaps you have been affected by the dropping estimated success rate in the rescue report, but you do not want her to draw that conclusion. | |||||||||||||||||||||||||||||||
112 | 113 | 113 | 302 | If we keep trying, maybe our efforts will turn into a miracle. | 114 | ||||||||||||||||||||||||||||||
113 | 114 | 114 | 301 | Haicma | That is just your one-sided perspective. Miracles are merely after-the-fact conclusions. | 1 | |||||||||||||||||||||||||||||
114 | 115 | 115 | 302 | But miracles exist. The conservation area is one of them, and so is this encounter. | 116 | ||||||||||||||||||||||||||||||
115 | 116 | 116 | 301 | Haicma | A correction: we had a 1.4% chance of encountering each other this time. That is a higher possibility than what humans have traditionally considered a miracle. | 1 | |||||||||||||||||||||||||||||
116 | 117 | 117 | 302 | So, if we meet again after this... | 118 | ||||||||||||||||||||||||||||||
117 | 118 | 118 | 302 | Will you believe in miracles, then? | 119 | ||||||||||||||||||||||||||||||
118 | 119 | 119 | 301 | Haicma | Why do you keep pushing me to believe in miracles? | 1 | |||||||||||||||||||||||||||||
119 | 120 | 120 | 302 | Because sending you to this conservation area... | 121 | ||||||||||||||||||||||||||||||
120 | 121 | 121 | 302 | ...Is to create miracles in the first place. | 122 | ||||||||||||||||||||||||||||||
121 | 122 | 122 | 401 | 1 | 36 | ||||||||||||||||||||||||||||||
122 | 123 | 123 | 301 | Haicma | ... | 1 | |||||||||||||||||||||||||||||
123 | 124 | 124 | 301 | Haicma gazes at the human's departing figure. | |||||||||||||||||||||||||||||||
124 | 125 | 125 | 301 | If you knew that my purpose was not what you expected, you would have understood why your statement was false from the very start. | |||||||||||||||||||||||||||||||
125 | 126 | 126 | 301 | Her processor has long arrived at this conclusion, but Haicma cannot communicate this message no matter what. | |||||||||||||||||||||||||||||||
126 | 127 | 127 | 301 | She might have agreed with the human if she were a Construct. They may be machines physically, but they still share the same souls as humans. | |||||||||||||||||||||||||||||||
127 | 128 | 128 | 301 | Which is why Constructs are not accepted into the Church of Machina. | |||||||||||||||||||||||||||||||
128 | 129 | 129 | 204 | 1 | |||||||||||||||||||||||||||||||
129 | 130 | 130 | 301 | Haicma | Machines do not make mistakes. It has always been like that. | 1 | |||||||||||||||||||||||||||||
130 | 131 | 131 | 301 | She does not worry about being heard. The human has long vanished at the end of the corridor after waving goodbye. | |||||||||||||||||||||||||||||||
131 | 132 | 132 | 301 | She watches that corner until a passing breeze rattles the paper. | |||||||||||||||||||||||||||||||
132 | 133 | 133 | 301 | She should also go now... | |||||||||||||||||||||||||||||||
133 | 134 | 134 | 301 | AniZhuanchangBegin | Haicma | I must prepare for my paintings. | 1 | ||||||||||||||||||||||||||||
134 | 135 | 135 | 101 | Assets/Product/Texture/Image/BgStory/Bgstory60.jpg | |||||||||||||||||||||||||||||||
135 | 136 | 136 | 402 | 215 | |||||||||||||||||||||||||||||||
136 | 137 | 137 | 401 | 1 | 36 | ||||||||||||||||||||||||||||||
137 | 138 | 138 | 301 | AniZhuanchangEnd | 1 | When the night has come, and the land is quiet, Haicma, having returned to her base, takes out a piece of paper and places it on a drawing board. | |||||||||||||||||||||||||||||
138 | 139 | 139 | 401 | 2 | 910 | ||||||||||||||||||||||||||||||
139 | 140 | 140 | 301 | Slowly, the empty world is filled with colors and lines. | |||||||||||||||||||||||||||||||
140 | 141 | 141 | 301 | In the center of it is the departing figure of a human, walking farther and father away. | |||||||||||||||||||||||||||||||
141 | 142 | 142 | 301 | 1 | AniZhuanchangBegin | This is Haicma's first painting in many years. |