forked from PGR/ascnet
7.4 KiB
7.4 KiB
1 | Id | ActionId | NextActionId | Type | IsBlock | IsEnd | BeginAnim | EndAnim | BeginDelay | EndDelay | Params[1] | Params[2] | Params[3] | Params[4] | Params[5] | Params[6] | Params[7] | Params[8] | Params[9] | Params[10] | Params[11] | Params[12] | Params[13] | Params[14] | Params[15] | Params[16] | Params[17] | Params[18] | Params[19] | Params[20] | Params[21] | Params[22] | Params[23] | Params[24] | Params[25] |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
2 | 1 | 1 | 101 | AniZhuanchangEnd | Assets/Product/Texture/Image/BgStory/Bgstory262.png | ||||||||||||||||||||||||||||||
3 | 2 | 2 | 401 | 1 | 204 | ||||||||||||||||||||||||||||||
4 | 3 | 3 | 301 | DialogEnable | Ayla finished her script. After another round of game, all the players received the WGAA's invitation. The project has come to the most crucial part. | ||||||||||||||||||||||||||||||
5 | 4 | 4 | 205 | 2000 | 999 | Assets/Product/Texture/Image/BgStory/Bgstory528.jpg | 0 | 1 | 2 | ||||||||||||||||||||||||||
6 | 5 | 5 | 205 | 999 | 1 | 0 | 0 | ||||||||||||||||||||||||||||
7 | 6 | 6 | 101 | Assets/Product/Texture/Image/BgStory/Bgstory528.jpg | |||||||||||||||||||||||||||||||
8 | 7 | 7 | 301 | It is a very sight in Babylonia. Members from different forces and squads have all gathered in the studio managed by WGAA. | |||||||||||||||||||||||||||||||
9 | 8 | 8 | 201 | 1 | 500166 | -400 | |||||||||||||||||||||||||||||
10 | 9 | 9 | 201 | 2 | 500336 | 400 | |||||||||||||||||||||||||||||
11 | 10 | 10 | 301 | 1 | Lucia | Noctis, those two lanterns need to be a little higher. | 1 | ||||||||||||||||||||||||||||
12 | 11 | 12 | 301 | Noctis | Alright, I'll lift them up... What are you doing? | 2 | |||||||||||||||||||||||||||||
13 | 12 | 11 | 204 | 2 | 4 | ||||||||||||||||||||||||||||||
14 | 13 | 13 | 202 | 1 | 1 | ||||||||||||||||||||||||||||||
15 | 14 | 14 | 201 | 1 | 500328 | -400 | |||||||||||||||||||||||||||||
16 | 15 | 15 | 301 | 1 | No. 21 is holding two candles up high on tiptoes, trying to reach the lantern in Noctis' hand. | ||||||||||||||||||||||||||||||
17 | 16 | 16 | 301 | No. 21 | I want to, put them, inside the lantern. | 1 | |||||||||||||||||||||||||||||
18 | 17 | 17 | 301 | Noctis | Just wait for me to finish hanging the lantern first. | 2 | |||||||||||||||||||||||||||||
19 | 18 | 18 | 204 | 1 | 4 | ||||||||||||||||||||||||||||||
20 | 19 | 19 | 301 | No. 21 | Hmph... Buddy, go. | 1 | |||||||||||||||||||||||||||||
21 | 20 | 20 | 301 | No. 21 gives the candles to her Co-Bot. Noctis tries to cast it away, but it continues to climb up Noctis' head. | |||||||||||||||||||||||||||||||
22 | 21 | 21 | 502 | 300 | PanelActor2Shake | ||||||||||||||||||||||||||||||
23 | 22 | 22 | 505 | PanelActor2Shake | |||||||||||||||||||||||||||||||
24 | 23 | 23 | 301 | Noctis | Hey, what are you doing?! Watch out! I can't see! | 2 | |||||||||||||||||||||||||||||
25 | 24 | 24 | 301 | With a candle in each hand, Noctis cannot take the Co-Bot off himself. | |||||||||||||||||||||||||||||||
26 | 25 | 25 | 202 | 1 | 2 | 1 | |||||||||||||||||||||||||||||
27 | 26 | 26 | 201 | 1 | 1081001 | 2 | -400 | ||||||||||||||||||||||||||||
28 | 27 | 27 | 201 | 2 | 500019 | 400 | |||||||||||||||||||||||||||||
29 | 28 | 28 | 301 | 1 | Kamui | I used all the feats on that sword attack. Super critical, super strength... And every roll was critical success. It's been a long time since they ever had such a powerful attack in the system record. | 1 | ||||||||||||||||||||||||||||
30 | 29 | 29 | 301 | Construct Member | Yeah, and it landed right on my face. 48 damage. They couldn't even take my body off the ground. | 2 | |||||||||||||||||||||||||||||
31 | 30 | 30 | 301 | Kamui | Who would have thought I rolled a critical failure on the hit check? Was that lucky or unlucky...? | 1 | |||||||||||||||||||||||||||||
32 | 32 | 32 | 202 | 2 | 1 | ||||||||||||||||||||||||||||||
33 | 33 | 33 | 201 | 2 | 500026 | 10 | 400 | ||||||||||||||||||||||||||||
34 | 34 | 34 | 301 | 1 | Lee | Why was Wanshi able to one-shot the Demon King, but I wasn't allowed to? | 2 | ||||||||||||||||||||||||||||
35 | 35 | 35 | 202 | 1 | 1 | ||||||||||||||||||||||||||||||
36 | 36 | 36 | 201 | 1 | 500273 | 1 | -400 | ||||||||||||||||||||||||||||
37 | 37 | 37 | 301 | 1 | Wanshi | Probably because you were using a gun, while I was using a crossbow. | 1 | ||||||||||||||||||||||||||||
38 | 38 | 38 | 204 | 2 | 7 | ||||||||||||||||||||||||||||||
39 | 39 | 39 | 301 | Lee | Do you call that thing a crossbow? It's a ballista, and it takes up more space than you! | 2 | |||||||||||||||||||||||||||||
40 | 40 | 40 | 202 | 1 | 2 | 1 | |||||||||||||||||||||||||||||
41 | 41 | 41 | 201 | 1 | 500494 | 13 | 400 | ||||||||||||||||||||||||||||
42 | 42 | 42 | 201 | 2 | 500495 | -400 | |||||||||||||||||||||||||||||
43 | 43 | 43 | 301 | 1 | Karenina | What are you going to do with the wall? Should I make a simple replica to replace it? | 1 | ||||||||||||||||||||||||||||
44 | 44 | 44 | 204 | 2 | 13 | ||||||||||||||||||||||||||||||
45 | 45 | 45 | 301 | Teddy | Inside the room? Did you just learn performance art from the WGAA? | 2 | |||||||||||||||||||||||||||||
46 | 46 | 46 | 204 | 1 | 4 | ||||||||||||||||||||||||||||||
47 | 47 | 47 | 301 | Karenina | Tch... I'll build a scaffold then. Special effects alone won't be enough. | 1 | |||||||||||||||||||||||||||||
48 | 48 | 48 | 301 | Teddy | Don't worry, my effects are flawless with Ayla's guidance. | 2 | |||||||||||||||||||||||||||||
49 | 49 | 49 | 301 | In front of the terminal used for scene simulation and after effects, Karenina and Teddy are discussing the performance. Liv walks to them and hands over a few rice dumplings. | |||||||||||||||||||||||||||||||
50 | 50 | 50 | 202 | 1 | 2 | 1 | |||||||||||||||||||||||||||||
51 | 51 | 51 | 201 | 1 | 1031001 | 1 | |||||||||||||||||||||||||||||
52 | 52 | 52 | 301 | 1 | Liv | We plan to give them out as festival souvenirs after the performance. Could you please taste them and let us know if any improvement can be made? | 1 | ||||||||||||||||||||||||||||
53 | 53 | 53 | 202 | 1 | 1 | ||||||||||||||||||||||||||||||
54 | 54 | 54 | 201 | 1 | 500110 | ||||||||||||||||||||||||||||||
55 | 55 | 55 | 301 | 1 | Ayla looks at the joyful scene. Occasionally, she would also stop tapping on the terminal and chuckle. | ||||||||||||||||||||||||||||||
56 | 56 | 56 | 302 | I'll call that a great success. | 57 | ||||||||||||||||||||||||||||||
57 | 57 | 57 | 301 | Ayla | Yeah! | 1 | |||||||||||||||||||||||||||||
58 | 58 | 59 | 301 | Ayla | They have always been fighting together, but sometimes they still ignore each other. It's a strange feeling. | 1 | |||||||||||||||||||||||||||||
59 | 59 | 60 | 301 | Ayla | Maybe that's just what friends are. There may be some misunderstanding in the beginning, but eventually everything will turn out to be alright. | 1 | |||||||||||||||||||||||||||||
60 | 60 | 61 | 301 | Ayla | Still, I think it is important to voice out our feelings. It is crucial for us to realize and acknowledge the importance of our friends. | 1 | |||||||||||||||||||||||||||||
61 | 61 | 62 | 202 | 1 | |||||||||||||||||||||||||||||||
62 | 62 | 63 | 301 | You nod without answering. The center of the room has become a noisy site. | |||||||||||||||||||||||||||||||
63 | 63 | 64 | 301 | Karenina and Teddy are arguing again. No. 21 is holding her Co-Bot and running between others to run from Noctis. Lee and Wanshi are discussing where to place the ballista. | |||||||||||||||||||||||||||||||
64 | 64 | 65 | 301 | Before you realize it, you already have so many comrades to fight alongside. | |||||||||||||||||||||||||||||||
65 | 65 | 66 | 201 | 1 | 500166 | 1 | |||||||||||||||||||||||||||||
66 | 66 | 67 | 301 | 1 | Lucia | Commandant! | 1 | ||||||||||||||||||||||||||||
67 | 67 | 68 | 301 | It's time to dress up as an apple tree. Lucia is calling you with a smile. | |||||||||||||||||||||||||||||||
68 | 68 | 69 | 302 | I shouldn't have used the camouflage skill in the story. | 70 | ||||||||||||||||||||||||||||||
69 | 69 | 70 | 301 | Ayla takes a step forward, then turns sideways and reaches out to you. | |||||||||||||||||||||||||||||||
70 | 70 | 71 | 202 | 1 | 1 | ||||||||||||||||||||||||||||||
71 | 71 | 72 | 201 | 1 | 500110 | ||||||||||||||||||||||||||||||
72 | 72 | 73 | 301 | 1 | Ayla | Let's go, Commandant. Everyone's waiting. | 1 | ||||||||||||||||||||||||||||
73 | 73 | 74 | 301 | Ayla | Oh, right. I'm sure we will get busier later, so I'll say this to you now. | 1 | |||||||||||||||||||||||||||||
74 | 74 | 75 | 204 | 1 | 1 | ||||||||||||||||||||||||||||||
75 | 75 | 76 | 301 | 1 | AniZhuanchangBegin | Ayla | Happy Dragon Boat Festival, Commandant. | 1 |