11 KiB
11 KiB
1 | Id | ActionId | NextActionId | Type | IsBlock | IsEnd | BeginAnim | EndAnim | BeginDelay | EndDelay | Params[1] | Params[2] | Params[3] | Params[4] | Params[5] | Params[6] | Params[7] | Params[8] | Params[9] | Params[10] | Params[11] | Params[12] | Params[13] | Params[14] | Params[15] | Params[16] | Params[17] | Params[18] | Params[19] | Params[20] | Params[21] | Params[22] | Params[23] | Params[24] | Params[25] |
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2 | 1 | 1 | 101 | AniZhuanchangEnd | Assets/Product/Texture/Image/BgStory/BgStory32.jpg | ||||||||||||||||||||||||||||||
3 | 2 | 2 | 401 | 1 | 208 | ||||||||||||||||||||||||||||||
4 | 3 | 3 | 301 | DialogEnable | —Babylonia Outpost. | ||||||||||||||||||||||||||||||
5 | 4 | 4 | 301 | Watanabe departed a while ago due to his allegiance, while the people you are meeting have already arrived at the outpost, according to the message you received. | |||||||||||||||||||||||||||||||
6 | 5 | 5 | 301 | The headlights from your vehicle light up the entrance to the outpost, and you find two female Constructs standing there, waiting for you. | |||||||||||||||||||||||||||||||
7 | 6 | 6 | 201 | 1 | 1111001 | -400 | |||||||||||||||||||||||||||||
8 | 7 | 7 | 201 | 2 | 1091001 | 400 | |||||||||||||||||||||||||||||
9 | 8 | 8 | 301 | 1 | Bianca | 【kuroname】. Happy to see you again. | 2 | ||||||||||||||||||||||||||||
10 | 9 | 9 | 302 | ...It's been a while. | 10 | The pleasure is mine. | 12 | ||||||||||||||||||||||||||||
11 | 10 | 10 | 301 | Karenina | Better we see you less! After all, every time we run into you... some weird shit's gonna happen. | 1 | |||||||||||||||||||||||||||||
12 | 11 | 11 | 13 | 301 | Karenina | ...But nothing unusual this time, luckily. You'll have to travel with us for the remaining journey. | 1 | ||||||||||||||||||||||||||||
13 | 12 | 12 | 301 | Bianca | I know it might be a bit unexpected, but Karen and I will be accompanying you and supporting you for the rest of your assignment. | 2 | |||||||||||||||||||||||||||||
14 | 13 | 13 | 301 | Bianca | Please don't take it the wrong way. We're here for the same reason you are. As to where we've been... just consider our meeting a coincidence. | 2 | |||||||||||||||||||||||||||||
15 | 14 | 14 | 301 | Karenina | Obviously. We are definitely not here because of how bothersome Gray Raven has been or because Lucia asked us to. | 1 | |||||||||||||||||||||||||||||
16 | 15 | 15 | 301 | Bianca | Also, Asimov has talked to us, and before he gathers all the test data, you're in charge of bringing our test mechanoid back to Babylonia as well. | 2 | |||||||||||||||||||||||||||||
17 | 16 | 16 | 301 | Karenina | It's simple—we're all heading back to Babylonia. Nothing weird for us to share a ride. | 1 | |||||||||||||||||||||||||||||
18 | 17 | 17 | 202 | 1 | 2 | 1 | |||||||||||||||||||||||||||||
19 | 18 | 18 | 301 | As Karenina speaks, Bianca has already opened a comms channel. | |||||||||||||||||||||||||||||||
20 | 19 | 19 | 301 | Although you cannot tell who she is talking to, judging by her phrases and expression, the person on the other end is surely someone important in Babylonia. | |||||||||||||||||||||||||||||||
21 | 20 | 20 | 301 | Bianca does not turn back immediately after the call has ended. A Construct stationed at the outpost steps forward and talks to her. | |||||||||||||||||||||||||||||||
22 | 21 | 21 | 201 | 1 | 1111001 | ||||||||||||||||||||||||||||||
23 | 22 | 22 | 301 | 1 | Karenina | ...It's one thing for Constructs to have no holidays at all. It's another to ask you to go on a mission at this time of the year. | 1 | ||||||||||||||||||||||||||||
24 | 23 | 23 | 301 | Karenina | What an odd fella, that Asimov. What's the obsession with data? | 1 | |||||||||||||||||||||||||||||
25 | 24 | 24 | 302 | A mission is a mission. | 25 | Thanks for your hard work, Karenina. | 26 | ||||||||||||||||||||||||||||
26 | 25 | 25 | 29 | 301 | Karenina | True. It's an emergency mission, after all. And I don't dislike this cute little critter. | 1 | ||||||||||||||||||||||||||||
27 | 26 | 26 | 204 | 1 | 5 | ||||||||||||||||||||||||||||||
28 | 27 | 27 | 301 | Karenina | Don't say shit like this all of a sudden! What am I, a child? | 1 | |||||||||||||||||||||||||||||
29 | 28 | 28 | 204 | 1 | |||||||||||||||||||||||||||||||
30 | 29 | 29 | 301 | Karenina | I'm quite familiar with the development of the CUBs. After all, I was responsible for developing the power system... | 1 | |||||||||||||||||||||||||||||
31 | 30 | 30 | 301 | Karenina carefully goes through and examines the CUB after receiving it. The level of attention is not far from a professional's. | |||||||||||||||||||||||||||||||
32 | 31 | 31 | 301 | Karenina | The completed version is even more detailed than I thought... I hope the Forsaken bunch didn't break the damn thing... or implanted some weird shit on it... | 1 | |||||||||||||||||||||||||||||
33 | 32 | 32 | 302 | You're overthinking things. | 33 | ||||||||||||||||||||||||||||||
34 | 33 | 33 | 301 | Karenina | (Chuckles) Who knows? It's never smart to trust someone blindly... How the hell have you survived to this day? | 1 | |||||||||||||||||||||||||||||
35 | 34 | 34 | 302 | So have you found anything? | 35 | ||||||||||||||||||||||||||||||
36 | 35 | 35 | 301 | Karenina | Not yet... But! Those Forsaken... | 1 | |||||||||||||||||||||||||||||
37 | 36 | 36 | 203 | 1 | 0.25 | -400 | |||||||||||||||||||||||||||||
38 | 37 | 37 | 201 | 2 | 1091001 | 400 | |||||||||||||||||||||||||||||
39 | 38 | 38 | 301 | 1 | Karenina is going to continue before Bianca returns and stops her. | ||||||||||||||||||||||||||||||
40 | 39 | 39 | 301 | Bianca | The results of the CUB project will be inspected by Asimov... We don't have to get involved. | 2 | |||||||||||||||||||||||||||||
41 | 40 | 40 | 301 | Bianca | Our mission is also assigned with similar concerns, so we don't have to reveal too much. Also... I just talked to the other team members, and I've received some unexpected intel. | 2 | |||||||||||||||||||||||||||||
42 | 41 | 41 | 301 | Karenina | ...Intel? Bianca, what kind of intel? | 1 | |||||||||||||||||||||||||||||
43 | 42 | 42 | 301 | Bianca | We'll discuss the details after we've entered the guard post in City 015 proper. | 2 | |||||||||||||||||||||||||||||
44 | 43 | 43 | 302 | The conservation area? | 44 | ||||||||||||||||||||||||||||||
45 | 44 | 44 | 301 | AniZhuanchangBegin | Bianca | Let's find something to do before you're back on Babylonia. | 2 | ||||||||||||||||||||||||||||
46 | 45 | 45 | 202 | 1 | 2 | 1 | |||||||||||||||||||||||||||||
47 | 46 | 46 | 101 | Assets/Product/Texture/Image/BgStory/BgStory11.jpg | |||||||||||||||||||||||||||||||
48 | 47 | 47 | 401 | 1 | 36 | ||||||||||||||||||||||||||||||
49 | 48 | 48 | 501 | Assets/Product/Effect/Prefab/FxUi/FxUiStoryNew/FxUiStorySnowNew.prefab | 2 | ||||||||||||||||||||||||||||||
50 | 49 | 49 | 301 | AniZhuanchangEnd | The road to the conservation area outpost is calm and quiet. The track has been repaired, so the journey is far from tiring. | ||||||||||||||||||||||||||||||
51 | 50 | 50 | 301 | Apart from an argument on who gets to drive the vehicle, everything has been going smoothly. | |||||||||||||||||||||||||||||||
52 | 52 | 52 | 101 | Assets/Product/Texture/Image/BgStory/BgStory30.jpg | |||||||||||||||||||||||||||||||
53 | 53 | 53 | 401 | 1 | 201 | ||||||||||||||||||||||||||||||
54 | 54 | 54 | 301 | AniZhuanchangEnd | Once you have arrived in City 015, Karenina disappears the moment she leaves the vehicle. | ||||||||||||||||||||||||||||||
55 | 55 | 55 | 201 | 1 | 1091001 | ||||||||||||||||||||||||||||||
56 | 56 | 56 | 301 | 1 | Bianca | If there's nothing else to attend to, maybe we'll speak in length later about what we mentioned in the outpost, Commandant. | 1 | ||||||||||||||||||||||||||||
57 | 57 | 57 | 302 | We'll talk later, then. | 58 | ||||||||||||||||||||||||||||||
58 | 58 | 58 | 301 | Bianca | By the way... Have you seen where Karenina has gone to? I might have missed her when we arrived. | 1 | |||||||||||||||||||||||||||||
59 | 59 | 59 | 302 | Now that you mention it, I haven't seen her either... | 60 | ||||||||||||||||||||||||||||||
60 | 60 | 60 | 201 | 1 | 500019 | ||||||||||||||||||||||||||||||
61 | 61 | 61 | 301 | 1 | Construct A | Miss Bianca, are you talking about the girl in the hood? | 1 | ||||||||||||||||||||||||||||
62 | 62 | 62 | 301 | Construct A | She has left for the old commercial district in the city. | 1 | |||||||||||||||||||||||||||||
63 | 63 | 63 | 301 | Construct A | We showed her this when you were unpacking. | 1 | |||||||||||||||||||||||||||||
64 | 64 | 64 | 202 | 1 | 1 | ||||||||||||||||||||||||||||||
65 | 65 | 65 | 301 | Bianca takes the sample the Construct passes her and examines it. The graffiti on the box looks familiar. | |||||||||||||||||||||||||||||||
66 | 66 | 66 | 301 | After identification, you are almost certain that it matches the graffiti previously found in City 015. | |||||||||||||||||||||||||||||||
67 | 67 | 67 | 201 | 1 | 500019 | ||||||||||||||||||||||||||||||
68 | 68 | 68 | 301 | 1 | Construct A | I'm sure you've heard about it before you arrived at our guard post? | 1 | ||||||||||||||||||||||||||||
69 | 69 | 69 | 201 | 1 | 1091001 | ||||||||||||||||||||||||||||||
70 | 70 | 70 | 301 | 1 | Bianca | (Nods) ...That's what I wanted to talk to you about. | 1 | ||||||||||||||||||||||||||||
71 | 71 | 71 | 301 | Bianca | The graffiti symbol and the unusual Corrupted activities that follow its trail signify a Corrupted whose function has advanced beyond the norm. The target might be self-aware. | 1 | |||||||||||||||||||||||||||||
72 | 72 | 72 | 301 | Bianca | Despite ruling out many possibilities, there is still something that... concerns me. | 1 | |||||||||||||||||||||||||||||
73 | 74 | 74 | 301 | Bianca | For safety reasons, I was hoping to invite you to investigate with me to make sure we can keep everything under control. But Karen... she really is an impulsive one. | 1 | |||||||||||||||||||||||||||||
74 | 75 | 75 | 301 | Bianca | Commandant, I know this is not your duty, but can I ask for your assistance before the extraction team from Babylonia arrives? | 1 | |||||||||||||||||||||||||||||
75 | 76 | 76 | 302 | Graffiti symbols... | 77 | Unusual Corrupted activities... | 78 | ||||||||||||||||||||||||||||
76 | 77 | 77 | 79 | 301 | Bianca | As the only commandant who has made contact with one, I'm sure you still remember it. | 1 | ||||||||||||||||||||||||||||
77 | 79 | 79 | 301 | Bianca | Both of these concerns call for a more secure approach. We'll count on you for the operation ahead of us. | 1 | |||||||||||||||||||||||||||||
78 | 80 | 80 | 301 | As Bianca tries to locate Karenina with her comms, Karenina calls her. | |||||||||||||||||||||||||||||||
79 | 81 | 81 | 203 | 1 | 0.25 | 400 | |||||||||||||||||||||||||||||
80 | 82 | 82 | 201 | 2 | 1111001 | -400 | |||||||||||||||||||||||||||||
81 | 83 | 83 | 501 | Assets/Product/Effect/Prefab/FxUi/FxUiStoryNew/FxUiStoryTongxunHalfNew.prefab | 2 | ||||||||||||||||||||||||||||||
82 | 84 | 84 | 301 | 1 | Bianca | Karenina?! Where did you go? Have you gone investigating the graffiti symbols by yourself?! | 1 | ||||||||||||||||||||||||||||
83 | 85 | 85 | 301 | Karenina | The symbols are real, but you don't have the slightest clue what it actually is. | 2 | |||||||||||||||||||||||||||||
84 | 86 | 86 | 301 | Bianca | What it actually is? Are you saying that the graffiti points to something else entirely? | 1 | |||||||||||||||||||||||||||||
85 | 87 | 87 | 301 | Karenina | That's why I have to call you— | 2 | |||||||||||||||||||||||||||||
86 | 88 | 88 | 301 | Karenina | Bianca can see my coordinates, right? I'll be waiting for you there in 15 minutes! Now, move! I don't like waiting! | 2 | |||||||||||||||||||||||||||||
87 | 89 | 89 | 301 | Bianca | Hello? Hey? Karen?! Sigh... she hung up. | 1 | |||||||||||||||||||||||||||||
88 | 90 | 90 | 302 | I guess we'll have to go there? | 91 | ||||||||||||||||||||||||||||||
89 | 91 | 91 | 301 | 1 | AniZhuanchangBegin | Bianca | Apparently. She's even brought the CUB with her... What is she up to? | 1 |